Sandhya Kathaसंध्या कथा

The Second Mango

Periya Purāṇam — Kāraikkāl Ammaiyār Purāṇam

Tradition note. Tamil and only Tamil. Sēkkiḻār set it down in the twelfth century, six hundred years after she lived. Her own hundred and forty-three verses survive and never mention a mango or a husband — the life is the tradition's, the poems are hers.

Before you begin. A marriage ends, and the story does not pretend otherwise. It is told without blame — he is frightened rather than unkind, and keeps her name in his house afterwards. What she asks Śiva for at the end of her life is left for an older child; this telling ends at the name he gave her.

Ages 7+6 min alouda guest fed before the householdwhat a person asks for and is given
Illustration for The Second Mango
Illustration

There was a woman in the town of Kāraikkāl, on the sea coast, and her name was . Her father was a merchant and so was her husband, and their house was a comfortable one.

One morning her husband was given two mangoes by a man he traded with. He sent them home ahead of himself, for his own midday meal, and went back to his work.

put them aside in the kitchen and went on with the cooking.

pause

Then somebody knocked at the door.

It was a man who had been walking since morning, who wore the ash of , and who was hungry in the plain way a person is hungry when they have not eaten.

The rice was cooked. Nothing else was ready — the curries were not done, there was nothing to go with it. She looked at what she had.

She sat him down. She gave him rice, and she gave him one of the two mangoes, and he ate, and he was grateful, and he went on his way.

pause

That is the whole of the story's argument, and it happens in the first four minutes. She fed the man at the door before her husband and before herself, and she did it with the best thing in the house.

pause

Her husband came home at midday and sat down to eat. She served him, and she put the second mango on his plate.

He ate it and stopped eating.

Where did this come from? He had never tasted a mango like it in his life. Bring me the other one.

pause

There was no other one. It had been eaten by a man walking to somewhere else, and her husband was sitting in front of her waiting.

So she went back into the kitchen, and she did not invent an excuse, and she did not cry. She asked for a mango — not as a prayer said at a shrine, but the way you ask somebody who is standing in the room with you and can hear you.

A mango came into her hand.

She looked at it a moment. An ordinary weight in her palm, and cool, with a stem on it as though it had come off a tree somewhere she had not been told about.

pause

She carried it out and set it down in front of her husband, and he ate it.

And this one was not like the first, and it was not like any fruit that grows anywhere. He put it down. He asked her, carefully, where it had come from.

And she told him the truth, which was that she had asked for it and been given it.

pause

Her husband was not a bad man and the story does not make him one. He is frightened, and what frightens him is not a trick or a lie — it is that the woman he married turns out to be somebody who can ask and be answered.

He could not go on living with her as a wife after that. He went away south, and made his life there, and when a daughter was born to him he gave her 's name, because he thought of his first wife as something holy and wanted the name in the house.

pause

And , who had asked for one mango and been given it, now asked for something much larger, and it was given too.

pause

They say she went north to , where is, faster than you can think it. And that she would not walk up the mountain, because to put her feet on it seemed wrong to her, so she went up the last of it on her head.

And watched her coming, and what he said when she arrived was one word: Ammai — Mother.

slow down hereSo nobody calls her any more. Everyone calls her the Mother of Kāraikkāl, because that is what he called her, and the name stuck.

Now turn to your child

She gave the mango away before she knew a second one would come. Do you think she would have given it if she had known?

And if they shrug, you can leave it at this: The giving counts because she did not know how it would turn out.

If they ask: “Why did her husband go away?”

Because he worked out that she was not an ordinary person, and it frightened him. The story is careful about this — he is not angry with her and he does not think she has done anything wrong. He named his daughter after her afterwards, which tells you what he thought of her.

If they ask: “Did Śiva really hand her a mango?”

That is what the Periya Purāṇam says, in one line: a mango reached her hand. It does not describe how. The older Tamil poets liked leaving that gap exactly where it is.

If they ask: “Why is she called Mother?”

Because Śiva called her that when she arrived at Kailāsa — Ammai. It was not her name and she did not choose it. It is what she was called, and it replaced the name she was born with.

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